Dimensions: support: 1900 x 2080 x 78 mm
Copyright: © Paul Winstanley | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: So, we're looking at Paul Winstanley's "TV Room V." There's no date, but it's a large-scale painting. It feels so cold and desolate. What do you see in this piece? Curator: It’s funny you say that. For me, it is an image of suspended time. The cool palette and the empty chairs create a sense of waiting, a shared, silent vigil in front of a flickering screen. It reminds me of waiting rooms, classrooms... Places of institutional viewing. Editor: Institutional viewing, I like that. So, is he commenting on our relationship with media? Curator: I think so. Winstanley captures that weird, detached feeling we get when passively consuming images. It's like we're all in this together, yet utterly alone. What do you make of the curtains? Editor: They look so heavy, like they are trying to block something out. Makes me think there's a world outside of the TV. Curator: Exactly. It’s a painting that leaves you with more questions than answers. A quiet, unsettling masterpiece. Editor: I’ll never look at a waiting room the same way again!
http://www.tate.org.uk/art/artworks/winstanley-tv-room-v-t07427
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Paul Winstanley paints modern interiors which are pointedly devoid of people. They do, however, contain the potential for human drama. Winstanley’s rooms are painted from his own photographs of public and semi-public architecture. They are unremarkable and familiar. Winstanley’s bland institutional spaces are emptied of human presence, yet filled with an atmosphere of melancholy and hidden stories. This painting is meticulously rendered with photographic precision. It does not so much show an event as the anxious anticipation of one. Gallery label, September 2004