Rekenkunde (Aritmetica) by Sebald Beham

Rekenkunde (Aritmetica) 1510 - 1550

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print, engraving

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allegory

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print

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old engraving style

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figuration

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line

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northern-renaissance

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engraving

Dimensions: height 89 mm, width 55 mm

Copyright: Rijks Museum: Open Domain

Curator: This engraving is titled "Rekenkunde," or "Arithmetic," created by Sebald Beham sometime between 1510 and 1550. You can find it here at the Rijksmuseum. Editor: My first impression? It’s strangely serene for a piece about numbers. This figure seems almost contemplative, detached from the grind of calculation. It feels more allegorical than strictly about mathematics. Curator: Precisely! Beham employs a very self-aware Northern Renaissance style to allegorically represent arithmetic, note the detailed line work, particularly in the drapery and the figure’s wings, which lends to its visual complexity. Notice too how the winged figure stands before an arch inscribed with 'Arith' and 'Metria' – shorthands for arithmetic and measurement. Editor: The tools really ground the allegory in reality. We see weights, a ruler, and what looks like an early form of abacus. It is like they are ready to dive into a very organized school assignment. Is she, perhaps, an angel of accounting? I imagine crunching taxes back then wasn't a picnic either. Curator: The details are essential. The tablet she holds displays numbers. In terms of iconographic structure, it suggests tangible mathematical tools. The organization of the composition directs your gaze. Editor: There’s a humanity in the imperfection, too. This engraving predates digital precision—you can almost feel the artist's hand and the weight of the tools represented, adding to its unique charm and appeal. Curator: Exactly. The rough edges of the engraved lines bring a sense of life to this tableau. Beham manipulates texture and light through his linear technique. Editor: So, we go beyond just observing; we begin contemplating what "Rekenkunde" means within us, today, several centuries on, making numbers more palpable, approachable even, perhaps? Curator: Precisely. Its engagement with its intrinsic structures shows us this interplay with history, allegory, and material reality, continuing a vibrant academic and public exchange.

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