Fiolen; Aftenstunden 1845

Adolph Kittendorff made this print, titled 'Fiolen; Aftenstunden' using engraving, a process where lines are incised into a metal plate to hold ink. This was a reproductive technique, used for mass dissemination of imagery. Look closely, and you can see how the material qualities of the metal plate have influenced the final image. The fineness of the engraved lines allows for great detail. The technique enabled Kittendorff to capture subtle gradations of tone, creating the textures of the plants and figures. The choice of engraving reflects the social context of the time, when printmaking was a key means of circulating images and ideas. The labor-intensive process also speaks to the value placed on skilled craftsmanship. While it’s a multiple, each print still bears the mark of the engraver's hand. Considering the material and the making helps us appreciate Kittendorff's print not just as a picture, but as an object with its own history of production, labor, and consumption. By examining the processes involved, we gain a deeper understanding of its cultural significance and enduring appeal.