Portret van Samuel, Freiherr von Cocceji 1751

This is Georg Friedrich Schmidt's portrait of Samuel, Freiherr von Cocceji, an engraving. While undated, its style firmly places it in the 18th century, a time of rigid social hierarchies. Cocceji, a nobleman, is depicted with the symbols of his status: elaborate wig, ornate clothing, and a coat of arms. Yet, it’s the almost unsettling gaze that holds our attention. What does it mean to be seen, to be recorded in this way? Consider the power dynamics at play. Schmidt, as the artist, interprets and presents Cocceji to the world. How much of Cocceji’s true self is captured, and how much is constructed to maintain a certain image? The cherubic figure holding the book, seemingly innocent, adds another layer. Is this an allusion to Cocceji's virtues, or a subtle commentary on the expectations placed upon those in power? Schmidt's portrait invites us to reflect on the complexities of identity and the societal structures that shape our perceptions. It's not just a depiction of a man, but a mirror reflecting the values and power structures of the era.