Call 344-8247 for help 1970

Curator: Lanny Sommese created this poster, titled "Call 344-8247 for help" in 1970. What's your initial read? Editor: Immediately, there’s this strong tension – the contrast between the angel at the top, and then the demonic figures emerging to the bottom. The angel almost appears to be birthing chaos, instead of solace. Curator: Indeed! We see that winged figure emanating musical notes and heart-shaped emanations, but then from this swirling tube plunges a devil with a trident, a lightning bolt, even a stylized star that looks weaponized. This evokes a kind of struggle or dichotomy that seems central to the message. Editor: Yes, I see this tension too. There is an additional cultural aspect at work. In this time, a phone number written so plainly, almost daring you to call for aid. What do you suppose the audience was to call about? Considering this work was produced during times of civil and societal upheaval? Curator: I believe that it speaks to something fundamental. In our cultural mythology, telephones used to act as more direct access points to authority. When people experienced a problem or question, even with emergency, a phone number often appeared as a solution. Here, the image creates a juxtaposition between our expected help, the kind given by a gentle guiding angel, and the turmoil that exists around such times. Editor: A powerful statement on institutional failure. Especially when the call goes unanswered, the disconnect that creates trauma. It begs the question of whom the number services and protects when there's an ever-present demon attached to it? Is help even reliable during turbulent times? Curator: Perhaps this turmoil reminds us that every apparent good casts a shadow. Our actions have repercussions, especially when creating technology. One side of its intent might be beneficial; however, an opposite form could also emerge to cause distress. Editor: I would not look at it that way, but understand it. Overall, I'd say Sommese created an enduring reflection of how we interact and receive aid. The symbolism is so pointed! Curator: For me, it offers such complexity: the inherent hope intertwined with possible darkness that every generation must confront anew, expressed here in this 1970 design.