Kangchenjunga 

Nicholas Roerich painted ‘Kangchenjunga’ using tempera, a medium allowing for the luminous quality you see here. Roerich was deeply influenced by the spiritual and philosophical movements of the early 20th century. His paintings often depict landscapes infused with a sense of mysticism, reflecting his interest in Theosophy and Eastern religions. For Roerich, the Himalayas were not just a geographical location but also a spiritual center. He believed these mountains held profound energetic power. Kangchenjunga is the third highest mountain in the world, revered in local traditions as a sacred entity, a deity, or a protective force. Roerich captured the sublime beauty of the mountain, aiming to convey a sense of awe and spiritual connection. His work reflects the complicated legacies of colonialism and cultural exchange between East and West. He wasn't just painting a mountain, but also invoking a sense of reverence.