Vlinder 1892 - 1940

Editor: Here we have Henri Verstijnen’s pen and ink drawing, *Vlinder*, dating sometime between 1892 and 1940. It's such a delicate sketch! The butterfly seems to hover right off the page. What strikes you most about this piece? Curator: You know, it’s funny, seeing this butterfly, I'm instantly reminded of my grandmother's garden. She always said butterflies were lost souls finding their way home. But beyond sentimentality, the raw, almost hurried quality of the linework speaks volumes here. Verstijnen captures not just a butterfly, but a fleeting moment of its existence, don’t you think? Look at how he uses those quick, confident strokes to define the wing patterns! Does that choice of medium inform our viewing of this artwork? Editor: Absolutely. The ink work gives it an almost scientific illustration vibe, yet the subject itself hints at ephemerality and freedom. Was naturalism a prominent movement during this time, and does this artwork fit into it? Curator: Precisely! Naturalism, with its focus on accurate depiction and observable details, was definitely in the air. Yet, there’s a vulnerability here that moves beyond mere scientific observation. It’s less about classification and more about connection, wouldn't you agree? The slight asymmetry, the subtle imperfections – they lend a sense of authenticity that a more polished work might lack. Do you sense the same thing? Editor: I see what you mean. It feels more like a portrait of a *specific* butterfly, rather than just *any* butterfly. The personal touch is definitely there. Curator: Right. And I feel I carry with me a deeper appreciation of Verstijnen's intention and his artistry! A simple drawing opens a small window to both our own selves.