Sumo Wrestler 1985

Curator: This striking acrylic on canvas from 1985 is LeRoy Neiman’s Sumo Wrestler. Editor: My initial reaction is one of dynamic energy. The composition, while chaotic, captures the raw physicality of the sport, but in this colourful style reminiscent of Fauvism. Curator: Neiman was known for his depictions of sporting events and celebrity culture. He was deeply interested in capturing not just the event itself, but also the surrounding spectacle. He sought to depict what sport means to popular culture, its place as entertainment. Editor: Absolutely. He utilizes an energetic application of paint, the brushstrokes themselves feel almost violent, echoing the struggle taking place in the ring. Notice how the thick, textured paint emphasizes the muscularity and weight of the figures. Curator: You can see that Neiman's access to and portrayal of celebrity culture led him to be celebrated and criticised, as it was read by many in art circles as sensationalist and pandering. The very concept of an artwork on sumo wrestlers touches on aspects of Japanese otherness which for some are grounded on cultural misunderstandings. Editor: True, but that's a separate issue. Structurally, the swirling vortex of colours and forms draws the eye relentlessly to the center where two monumental bodies are locked in combat. It also makes interesting use of layering to depict the crowd. The composition and vivid colors gives you a rush that almost feels like attending the real event. Curator: Neiman's style could also be interpreted as democratic. While elitist circles might discard the work, it proved incredibly popular. The accessibility of his paintings arguably democratised artistic appreciation for the masses. Editor: Well, whatever reading of it one favors, its strengths rely on its expressive form, the energetic lines and vibrant palette evoking the intensity of a sumo match. I would love to see this painting close to others, perhaps more abstract compositions to emphasize Neiman’s unique understanding of form. Curator: Regardless, this particular artwork serves as a reminder of how much power sporting spectacles held on art history and culture more broadly, its aesthetic appreciation being almost secondary to its cultural signifier of access.