Afgunst 1549

Heinrich Aldegrever etched this image of 'Envy' in 1549, capturing a complex web of symbolic meanings. The central figure, Invidia, embodies envy through several potent symbols. Snakes curl around her arms, representing malice and deceit, while a skull lies crushed beneath her feet, signifying the destructive outcome of envy. She holds a stick, a tool for measure and perhaps, control. The motif of snakes entwined around a figure is ancient, appearing in classical depictions of figures writhing with inner turmoil. This evokes Laocoön, whose struggle with serpents mirrors the inner torment of envy, highlighting how envy can poison the mind and soul. Such symbolism has been passed down through history, shifting in meaning yet retaining its emotional power, engaging viewers on a deep, subconscious level. This is a non-linear, cyclical progression of symbolism, which has resurfaced, evolved, and taken on new meanings in different historical contexts.