Candelabra with Meissen bird (one of a pair) 1745 - 1755

Editor: Here we have a porcelain sculpture entitled "Candelabra with Meissen bird," crafted between 1745 and 1755 by the Meissen Manufactory. The detailed ceramic work has an undeniable charm. What strikes you most about the piece? Curator: The overriding concern of the artist, first and foremost, appears to be ornamentation and the harmonious convergence of form and function. Note how the sinuous curves of the gilt bronze base echo the branching arms supporting the candleholders, culminating in the sculpted bird. Are you sensing the visual tension between the naturalistic portrayal of the bird and the stylized foliage? Editor: Yes, the juxtaposition is quite striking. The bird, with its textured plumage, feels very lifelike, whereas the gold leaves and porcelain flowers are more ornamental. What does that tension communicate? Curator: I find it interesting to look closely at the asymmetry which introduces a dynamic quality. Each floral element has its unique placement, with branches moving in specific directions, countering any sense of static symmetry. Further still, note how the distribution of light plays a significant role in shaping our perception, drawing attention to the intricacies of the bird’s plumage. How do these visual choices contribute to its decorative appeal, in your estimation? Editor: It does invite closer inspection. I guess the tension emphasizes the artifice inherent in the piece. The combination results in the candelabra transcending its utilitarian purpose and becomes a celebration of artistic skill and the sheer pleasure of visual extravagance. I see it now. Curator: Precisely. Considering the structural complexity and meticulous detail, this work operates on several levels. Editor: I really hadn’t noticed these finer points before. I’ll be sure to examine artworks with much closer attention from now on. Thanks for your insights.