Hoofd van oude vrouw met zwart kapje en doek om haar schouders 1875 - 1895
print, etching
portrait
etching
old engraving style
charcoal drawing
portrait reference
limited contrast and shading
portrait drawing
realism
monochrome
Dimensions height 149 mm, width 100 mm
Curator: Looking at this etching, I’m immediately struck by a sense of quiet dignity and… melancholy, perhaps? The limited contrast kind of amplifies it. What’s your read on this work? Editor: The somberness is palpable, isn't it? We’re looking at Johanna Henriëtte Besier’s "Head of an Old Woman with Black Cap and Cloth Around Her Shoulders," created between 1875 and 1895. It's a stark portrait rendered in monochrome print and etching. Curator: I wonder about Besier’s intentions here. The gaze of the woman is intense and piercing, making me think of the complex socio-political landscape women occupied then, particularly older women. How they were often erased. It's powerful. Editor: Absolutely! The technique feels very intimate, like Besier wanted to reveal the subject's inner world, her weariness perhaps? The "limited contrast and shading" you pointed out also feels significant; it mirrors the obscuring of certain narratives or perhaps highlighting the fragility of life? It feels so modern. Curator: Right, or the struggles these women would be forced to face in a world structured against them. How that would be etched, if you will pardon the pun, on the portrait of them both physically and mentally. Editor: Maybe this piece also provides the counter-narrative too. With that steely gaze of the subject, it is easy to infer she will not be defeated or bowed down to. Maybe this artwork invites that level of conjecture in terms of wider society. It really does feel very current in terms of contemporary dialogue about equality. Curator: Precisely, it's an artwork steeped in layers, prompting us to reconsider representation. We’re left grappling with identity, history, and power all at once. It certainly isn't simply a passive portrayal; it demands our attention. Editor: And I find myself thinking of my own grandma, of the lines on her face. Maybe, just maybe, the next time I see her, I might just see this wonderful print as well! Curator: Indeed. Besier's work challenges us to confront uncomfortable truths and see value in the lived experiences so easily overlooked. It lingers.
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