Studies of Knees for the Law, "Israel and the Law," Boston Public Library 1895 - 1916

Editor: Here we have John Singer Sargent's preparatory sketch, *Studies of Knees for the Law*, connected to his "Israel and the Law" mural at the Boston Public Library. It feels unfinished, yet monumental, what do you make of it? Curator: Sargent's mural project became controversial, especially his representation of religious figures. This study of knees speaks volumes about the power dynamics inherent in "the law." Editor: Power dynamics? Curator: Yes, think about it: the act of kneeling suggests submission, doesn't it? What does it mean to depict the *act* of kneeling in the context of law and religious identity? What are the implications? Editor: So, this simple sketch is really a complex commentary on submission and religious identity? Curator: Precisely! Sargent's work engages with ongoing debates about public representation and cultural identity. Editor: I never thought of it that way! This definitely gives me a new perspective.