Bracelet c. 20th century

This pair of silver Berber bracelets by Ida ou Nadif Amazigh, now residing at the Minneapolis Institute of Art, presents an intricate exploration of pattern and form. The bracelets have been beautifully worked with repeating marks. This kind of repetition suggests a meditative process, where the act of creation becomes as significant as the final object. Up close, the surface reveals a tapestry of tiny, swirling engravings, contrasting with the smooth, raised studs of red and green stone. I love how the texture is almost topographical, like looking at a landscape from above. There is a tension between the geometric clarity of the bracelet’s shape and the organic feel of the engraved details. The interplay between these elements gives the piece a vibrant, pulsating energy. It reminds me of the work of contemporary jeweller Peter Chang, who also builds up surfaces with repeated actions and marks. Ultimately, this piece teaches us that art isn't just about what we see, but about how we see, encouraging us to look closer and appreciate the labour and love imbued within it.