Tankard 1720 - 1740

Editor: Here we have a silver tankard, crafted between 1720 and 1740 by Henricus Boelen. It resides at The Metropolitan Museum of Art. The sheen is striking; it has this imposing form, but the etched details at the base look quite delicate. How would you interpret the visual language of this piece? Curator: The initial impression stems from its baroque aesthetic. The craftsman utilized a strong, unwavering silhouette offset by ornamental flourishes on the handle, the base, and on the lid’s ornament. Editor: Baroque silverware isn't something I have explored much. Curator: Let us then delve deeper. Observe how Boelen balanced the solid, cylindrical body with the dynamic, almost serpentine handle. The engraved band near the base introduces texture without disrupting the overall form. Consider the interplay of light and shadow across the silver’s surface. Does it strike you as purposeful? Editor: I see the effect now! The light really emphasizes the clean lines. What about the crest or initials engraved on the handle? Curator: These personalised markings are certainly integral to its design and reception, aren’t they? Editor: Absolutely. That changes things! Thank you. Curator: Indeed. Examining objects from a purely visual perspective allows us to understand the intentions and techniques used by the creator to fully achieve an artistic design.