Roseate Spoonbill, from the Game Birds series (N40) for Allen & Ginter Cigarettes by Allen & Ginter

Roseate Spoonbill, from the Game Birds series (N40) for Allen & Ginter Cigarettes 1888 - 1890

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water colours

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print

Dimensions: Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm)

Copyright: Public Domain

Curator: Here we have a fascinating piece: a 'Roseate Spoonbill' from the "Game Birds" series by Allen & Ginter, dating back to the late 1880s. It's a watercolor and print combination, originally part of a cigarette card collection. Editor: Oh, instantly I'm getting a strange kind of whimsy. A rose-colored bird and a hunting dog existing in this peculiar collage of textures and intentions! It's like a naturalist's dream mixed with pure, unadulterated capitalist ambition. Curator: Exactly! That blend is really the heart of it, isn't it? The Roseate Spoonbill itself, so delicately rendered, set against this almost aggressively decorative backdrop. Consider how these small images reflected a growing fascination with ornithology meeting consumer culture, flavored by Japonisme's stylistic elements. Editor: Japonisme, yes! I see it in the asymmetrical arrangement and the flattened perspective. But beyond that, the spoonbill—pink, elegant, seemingly oblivious—becomes this odd symbol of status and, dare I say, destruction? After all, it’s a "game bird," advertised alongside...well, cigarettes! Curator: It’s quite a juxtaposition. Notice how the lower portion, picturing the hunting dog with a rifle, explicitly frames the idea of pursuit. The images become little mementos of the outdoor life for gentlemen. Almost nostalgic, packaged for consumption. Editor: Yes, a nostalgia packaged within fleeting pleasures. I’m struck by how those small cards might carry immense cultural weight, reflecting our complex relationship with nature: we study it, we commodify it, and sometimes… well, we try to possess it, neatly tucked into our cigarette packets. The image has this push and pull of a beautiful, fragile creature presented in an industrial era. Curator: Agreed. It makes you think about what we value and how those values are shaped by everyday objects. It's not just a picture; it's a tiny cultural snapshot from a time of rapid change, a slice of a world just learning to see itself through images like these. Editor: Right—a pink bird reminding us of beauty, but also the strange and beautiful brutality of human desire. Even in a small card, symbolism flies freely.

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