The Flight into Egypt 1550 - 1575

This enamel painted dish, crafted by Pierre Reymond in 16th-century Limoges, France, depicts the Flight into Egypt. Notice how the Holy Family is portrayed, escaping Herod's decree: Mary, seated sidesaddle on a donkey, cradles the infant Jesus, while Joseph leads the way. The donkey itself is a potent symbol – often seen as a humble beast of burden, yet here it carries divine significance, reminiscent of Christ's entry into Jerusalem. Consider how this motif echoes in other artworks, from medieval tapestries to Renaissance paintings, each reiterating themes of humility, salvation, and the arduous journey. The flight, a common trope in mythology, signals a necessary escape from danger. It taps into our collective memory, evoking feelings of vulnerability, protection, and the hope for sanctuary. The image serves as a reminder of humanity's eternal quest for peace and security.