Trommesalen by N.B. Krossing

Trommesalen 1795 - 1854

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lithograph, print

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lithograph

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print

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landscape

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figuration

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romanticism

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genre-painting

Dimensions 237 mm (height) x 297 mm (width) (bladmaal)

Curator: Welcome. We’re standing before N.B. Krossing's lithograph, "Trommesalen," which resides in the collection of the SMK, Statens Museum for Kunst. The artwork, a product of the Romantic era between 1795 and 1854, invites us into a genre painting bathed in a monochrome palette. What's your immediate impression? Editor: My first thought? Slightly chaotic, but endearingly so. There's movement everywhere—horses mid-trot, figures milling about. A little boy perched on horseback steals the scene, and even the dog seems to be caught up in the hustle. A delightful pandemonium. Curator: Yes, precisely. Krossing captures a sense of spirited dynamism. Horses, historically symbols of power and virility, are central here, embodying the energy of human endeavor. The backdrop, seemingly a gathering place, serves to highlight this bustling microcosm of society. It hints at something greater, though it’s quite vernacular. Editor: And the figures, though diminutive, carry their own weight. Look at the one with the whip. Are we watching some sort of horse trading? Perhaps the symbolism reflects on ambition or the transaction between innocence and experience in a time of social shift? There’s even a child leading these dealings. What do you make of that element? Curator: It speaks volumes. A young person's presence suggests societal hopes for the future, perhaps an ideal of inheriting and continuing traditions and generational practices. Moreover, note the relatively muted colors. Romanticism often plays with chiaroscuro and evocative compositions to stir profound emotions. The black and white is really what defines a historical sensibility, no? Editor: I suppose so. Yet, the apparent realism coupled with that dynamic action, especially with that slightly sad looking dog. You can’t help but sense a kind of wistful commentary woven in. I want to walk straight into that print. It really brings up images of past experiences for me and ideas for futures that never happened. Curator: Indeed, and as such, a sense of lived experiences and universal continuity echoes through the centuries thanks to artwork. Editor: So, thanks for pointing out these intriguing details! It definitely enriched how I see Krossing’s "Trommesalen" now. Curator: It’s my pleasure! And I too am grateful for your reading; I think my understanding grew from our chat.

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