Assumption of the Virgin 17th-18th century

Editor: This is Robert van Auden-Aerd's "Assumption of the Virgin" at the Harvard Art Museums. The cloud composition seems to lift the Virgin Mary upwards with dynamic energy. What compositional elements strike you? Curator: The arrangement of figures certainly creates upward motion. Notice the strategic use of chiaroscuro. Light and shadow define form and contribute to a sense of three-dimensionality. Editor: I see that contrast. Is there a specific name for this type of line work and value distribution? Curator: The engraving relies on varied line weights to simulate tonal gradations, a hallmark of reproductive printmaking. The density of lines creates darker values, enhancing the drama. Editor: That makes sense. I am going to pay closer attention to line work in prints from now on. Curator: Excellent. By examining the formal elements, we gain deeper insight into its artistic construction and effect.