Begrafenisstoet van aartshertog Albrecht (plaat XXX), 1622 by Cornelis Galle I

Begrafenisstoet van aartshertog Albrecht (plaat XXX), 1622 1623

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drawing, print, ink, engraving

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drawing

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medieval

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baroque

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print

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pen sketch

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ink

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genre-painting

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history-painting

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academic-art

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engraving

Dimensions: height 248 mm, width 380 mm

Copyright: Rijks Museum: Open Domain

Editor: So, this is Cornelis Galle I's "Begrafenisstoet van aartshertog Albrecht," or "Funeral Procession of Archduke Albrecht," made in 1623. It’s an engraving, right? It looks so...official, almost staged, like everyone is playing a part in this very solemn drama. What catches your eye when you look at it? Curator: Oh, drama indeed! It feels less like a spontaneous outpouring of grief and more like carefully choreographed theatre. What strikes me is the contrast between the meticulous detail, each figure almost clinically rendered, and the sheer weight of symbolic meaning layered upon everything. It’s like a perfectly pressed flower, beautiful but ultimately… well, lifeless. Does it give you a chill, that kind of precise detachment in the face of something as universally human as grief? Editor: I think I see what you mean. There's something about the evenness of the ink, how controlled it all is, that does feel a bit removed from emotion. Like these figures are just stand-ins. The horse especially… Curator: Yes, the horse! Magnificent, draped in finery, but utterly still. A symbol of power, yes, but also, perhaps, a comment on the powerlessness we all face in the end? I wonder if Galle meant to capture not just the grandeur, but also the inherent futility. It almost feels like a vanitas, wouldn't you agree, reminding us of mortality through opulent detail. Editor: Definitely see that now! So it’s not *just* documenting the event, but commenting on it? Curator: Precisely! Art often holds up a mirror, reflecting not only what is, but what *could be*, or, perhaps more darkly, what inevitably *will be*. Even in something seemingly straightforward, there’s room to ponder, to question. It all seems a bit theatrical, even humorous at times. Don’t you think? Editor: Totally does, like it's both trying to make a point while showing off. Now I need to go down a Baroque rabbit hole... Curator: Ah, and isn’t that the joy of it all? The journey into the unknown, guided by whispers of the past. Good luck down that rabbit hole, dear friend.

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