Untitled 1941

Editor: This untitled print by Barnett Freedman shows two figures, one asleep and one with hands clasped in what seems like prayer. It feels very raw and immediate. What kind of social commentary was Freedman perhaps making here? Curator: It is interesting to consider Freedman's context. He was a Jewish artist working in Britain during periods of significant social upheaval. The figures suggest vulnerability, possibly a reflection on the anxieties of his time. How do you perceive the use of the printmaking medium here? Editor: The printmaking adds to that sense of rawness, as you said. It feels less polished, more accessible somehow. Curator: Exactly. The accessibility of printmaking allowed artists to disseminate their messages more widely. Think about the social role of imagery and how it might have been perceived by the public at that time. Perhaps it’s a commentary on faith. Editor: I hadn't considered the distribution aspect so directly. Thanks, that’s very helpful. Curator: My pleasure. There are many ways to interpret these pieces!