Daedalus Forming the Wings of Icarus out of Wax by Franz Xaver Wagenschön

Daedalus Forming the Wings of Icarus out of Wax 1726 - 1790

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drawing, print, ink, sculpture, pencil

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drawing

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ink drawing

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print

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figuration

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ink

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pencil drawing

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sculpture

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pencil

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history-painting

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academic-art

Dimensions: sheet: 7 1/16 x 8 13/16 in. (18 x 22.4 cm)

Copyright: Public Domain

Editor: This is "Daedalus Forming the Wings of Icarus out of Wax," a pen and pencil drawing by Franz Xaver Wagenschön, created sometime between 1726 and 1790. The stark monochrome creates a somber mood, highlighting the delicate construction of the wings. What do you see in this piece beyond the mythological narrative? Curator: It’s interesting how Wagenschön uses a classical myth, a story often told through the male gaze, and subtly complicates it. Consider Daedalus, the skilled artisan. He’s not just crafting wings; he's enabling Icarus's flight. What does this act of creation and enabling signify within the context of patriarchal power structures? Who benefits, and who is put at risk? Editor: I hadn't thought of it that way. I was focused on the relationship between father and son, the innovation against natural limitations. Curator: Exactly! But let’s push that further. Icarus’s flight, fueled by his father's creation, can be interpreted as a desire for freedom, perhaps a challenge to the established order. Is his inevitable fall simply a consequence of hubris, or could it symbolize something deeper about the limitations imposed on marginalized groups who dare to "fly" too high, too soon? Editor: That makes me consider the wax and feathers themselves. They appear fragile in this illustration, like a precarious foundation. Curator: Precisely! And whose labor produced those materials? What were the environmental consequences? These are not neutral resources; they are deeply embedded in social and ecological networks that often go unexamined. So the myth becomes less about individual triumph or failure and more about the complex web of power, resources, and potential for both liberation and devastation. Editor: It's amazing how one image can hold so many layers of meaning when viewed through different lenses. Thanks for opening up my perspective. Curator: My pleasure. Remember, art isn’t just about aesthetics; it’s a powerful tool for interrogating the world around us. Let's keep questioning.

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