Two Putti with Potted Plant after 1611

This red chalk drawing of putti, made by Guido Reni, provides a glimpse into the artistic process of 17th-century Italy. Chalk, often made from earth pigments, was favored for its soft, blendable quality, allowing artists to achieve subtle gradations of tone and volume. Reni's delicate strokes capture the plump, playful figures of the putti, their forms emerging from the paper with a life-like presence. The medium allows for expressive lines and atmospheric effects, hinting at the dynamism of the artist's hand. Drawings such as this one were the bedrock of artistic production during the period. But beyond technique, the drawing's inherent value lies in the immediacy of the artist's touch. The accessibility of the materials, and the directness of the medium, make the drawing feel less precious than a finished painting. This reminds us that the concept of 'high art' is itself a construct; the true worth of any artwork lies in the skill and vision invested in its making.