Gezicht op een kust in de omgeving van de stad Toulon bij maanlicht by Pierre François Basan

Gezicht op een kust in de omgeving van de stad Toulon bij maanlicht 1733 - 1797

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watercolor

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water colours

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landscape

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watercolor

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coloured pencil

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cityscape

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rococo

Dimensions: height 292 mm, width 478 mm

Copyright: Rijks Museum: Open Domain

Curator: Looking at this delicate watercolor now, there’s a melancholy air that permeates this coastal scene by Pierre François Basan. It is titled, "View of a Coast in the Surroundings of the City of Toulon by Moonlight". The artwork, which dates between 1733 and 1797, features soft colours on a lightly toned backdrop to showcase Toulon. Editor: Melancholy is exactly the right word. The hazy moonlight combined with the ruined architecture creates a sense of nostalgia for a bygone era, wouldn't you agree? The people clustered at the water's edge seem small, almost insignificant against the immensity of the sea and sky. Curator: Absolutely. The ruins act as a potent symbol here. You can see the vestige of past civilizations fading from our memories. It makes you think of cycles, time washing away culture just like waves lap at the shores. But Basan is known for Rococo which means that everything could also represent an allusion to theatrical stage design. It evokes imaginary or idealized sites. Editor: True, the Rococo influence lends this work a certain theatricality, almost like a stage set with the buildings and promontory acting as scenery with its soft colors that also help make this more picturesque. Given France's naval importance and its history with harbor defense at the time, is it fair to see this as political messaging by Basan to make subtle patriotic and cultural declarations to his wealthy aristocratic customers? Curator: A distinct possibility that adds further intrigue. Though it has always remained in art, landscape imagery gained favor in French aristocratic circles because it could contain overt patriotic, socio-economic messaging, especially in relation to maritime history. Editor: This piece allows us to appreciate the artist’s world and, I suppose, France’s naval pride, through symbols of nature and society combined in one. The choice to present it by moonlight allows you to imagine the city and the men bathed in that magical soft, white lighting. Curator: And as an artifact on display at the Rijksmuseum, it gives viewers an invitation to find a personal emotional link to this coastal vista in Toulon—all conveyed through the weight of symbolic imagery.

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