Side Saddle c. 1937

Editor: This graphite drawing from 1937, "Side Saddle" by Frank C. Barks, is surprisingly detailed. The realism makes it feel almost photographic. All those intricate floral designs on the leather—what strikes you most about this work? Curator: What intrigues me is how an object so linked to physical labour and the outdoors—riding, working cattle—becomes a canvas for elaborate ornamentation. Those roses aren’t merely decorative; they’re powerful symbols that hint at something deeper. Do you think they soften the rugged nature of the saddle itself, perhaps signifying a feminine presence or ideal within a traditionally masculine domain? Editor: That's a great point. I hadn’t considered the roses beyond their aesthetic appeal. Maybe they represent cultivated beauty meeting raw utility? Curator: Precisely! And it isn't just the flowers; observe the careful crafting of every strap, buckle, and fringe. The drawing meticulously captures not only form, but the artistry involved. Consider what this level of detail communicates about the values of the time, about craftsmanship, even pride in one's tools. Is it simply a functional object, or does it reflect identity, perhaps even aspiration? Editor: It’s like elevating a humble tool to a status symbol almost, infusing it with artistry. Curator: Indeed! And that elevates its meaning and cultural presence. I appreciate the subtle ways objects speak volumes, carrying echoes of history and values through the ages. Editor: It definitely adds layers to what initially appeared to me as a simple drawing of a saddle. Now I see it as an intersection of cultures, craft, and symbolism.