Studies of Heads 1870 - 1871

Curator: John Singer Sargent's "Studies of Heads," residing here at the Harvard Art Museums, is a delicate dance of graphite on paper. I’m struck by its quietness. Editor: It's interesting how Sargent, known for his society portraits, also engaged in these more intimate studies. The visible process speaks to the labor often unseen in finished works. Curator: Absolutely, and consider Sargent's role as a celebrated artist, contrasted with these quick sketches, perhaps explorations of character, class, or even potential commissions. There's a real diversity of face and form here. Editor: Indeed. The material itself, the humble graphite, allowed for a level of experimentation inaccessible with oil paints. These studies challenge traditional notions of artistic production. Curator: I see in these studies a glimpse into the artist’s social world, revealing the human connections that fueled his grander paintings. Editor: Thinking about the materiality and context gives us a fresh perspective on the artist. Curator: It rehumanizes Sargent, doesn't it? Editor: Definitely, a fascinating glimpse behind the gilded frame.