Theory of Boundaries 1969 - 1970

Mel Bochner's "Theory of Boundaries" (1969-1970) is an installation that exemplifies the Minimalist movement in art. It consists of five rectangles painted in a deep red hue, each with a white outlined, numerical symbol inside. The work explores the concept of boundaries and how they define space, using the simplicity of form and repetition to engage the viewer's perception of scale and dimension. Bochner's work is often seen as a commentary on the limitations of language and the ways in which it shapes our understanding of the world.