Self-portrait, Frowning by Rembrandt van Rijn

Self-portrait, Frowning 1630

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drawing, etching

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portrait

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drawing

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self-portrait

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baroque

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etching

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pencil sketch

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pencil drawing

This is a self-portrait etching by Rembrandt van Rijn. The composition is immediately striking for its raw emotion, conveyed through the artist’s furrowed brow and intense gaze. The image space is activated by stark contrasts and dynamic lines. Rembrandt uses etching to explore the tensions between revelation and concealment, shadow and light. The density of the etched lines varies across the portrait, creating areas of deep shadow that obscure parts of his face and clothing. These areas of concentrated mark-making contrast sharply with the relatively untouched paper, drawing attention to the expressive power of line. The artist captures not just a likeness but a psychological state. The loose, almost chaotic lines that define his hair and clothing add to the sense of immediacy and introspection. Rembrandt seems to be challenging the conventional portraiture, inviting viewers to consider the complexity of human emotion and the artist’s own inner world. The frowning expression and the direct gaze create a sense of unease, destabilizing the boundary between the artwork and the viewer. This portrait reflects the broader artistic and philosophical concerns with subjectivity and self-representation.

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rijksmuseum's Profile Picture
rijksmuseum over 1 year ago

Already in 1604 the artists’ biographer Karel van Mander advised artists to look in the mirror and practise in the rendering of states of mind. This is what Rembrandt does here. He looks angry, horrified, smiling. Each of these emotions recur in his work. Each of these emotions would recur later in his work.

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