Portret van een staande vrouw met een hand op een boek by J. Remde

Portret van een staande vrouw met een hand op een boek 1850 - 1880

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photography

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portrait

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aged paper

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toned paper

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vintage

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antique

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muted colour palette

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book

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photography

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19th century

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realism

Dimensions: height 81 mm, width 52 mm

Copyright: Rijks Museum: Open Domain

Curator: Immediately striking, isn't it? The tonal range, though muted, exudes a captivating vintage aura. Editor: Indeed. Let’s delve into "Portret van een staande vrouw met een hand op een boek" by J. Remde, captured sometime between 1850 and 1880. It is a photographic portrait rendered on, I would presume, aged paper. Curator: Notice how the formal composition, the almost geometric division of the frame within a frame, supports the sitter's presence. The use of light, too, is very controlled. Do you think this staging diminishes the human element? Editor: Quite the opposite! The production methods are telling. The limited dynamic range of early photographic paper suggests significant constraints. Photographers needed immense control over lighting to obtain detail from the light and shadows and to convey social class through clothing production. Curator: Good point about lighting. Look at the vertical linearity in the sitter's dress; it's brilliantly offset by the oval shape. But tell me, does the inclusion of the book add or subtract from the image's structural integrity? It almost feels superfluous, in a visual sense. Editor: Au contraire. The book signifies literacy, accessible more readily at the time only to wealthier women with considerable social capital. I see labor as both the presence and the omission here; while this photo does not show explicit craftsmanship, it references many elements of production in a tangible, socioeconomic context. The making of the gown, photography itself, and access to literacy reflect the values of labor and material in culture. Curator: Your insight is a powerful counterpoint. The gown's meticulous pattern I appreciate, certainly, now in a fresh way through your eyes. Editor: What I will carry forward from this piece is not just the image, but the story of craft, class and availability. The sitter has so much untold depth, just at the precipice. Curator: Agreed. We have jointly uncovered another level of meaning today.

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