From the Rothorn, Pennine Alps 1908

Curator: The monochrome palette gives this view of the Pennine Alps such a stark feel. It’s almost unsettling. Editor: This print, "From the Rothorn, Pennine Alps" captures a vista including the Matterhorn. Consider the social context—mountain photography became popular with the rise of Alpine tourism. Curator: Absolutely. But the way Abraham captures the light, almost sculpting the snow… it really focuses on the sheer physical presence of these mountains. It's a testament to the skill involved. Editor: And it was that skill that allowed photographers like Abraham to feed into a specific image of the Alps – one which in turn shaped tourism and even national identity. The photograph becomes part of the industry. Curator: Well, thinking about the physical labour involved in creating such an image—the transport of equipment, the darkroom processes—it adds another layer to our understanding. Editor: I agree. Recognizing that this art was produced for a market gives us insight into the consumption of landscape imagery, and its role in shaping public perception. Curator: It’s a fascinating piece to consider from so many angles. Editor: Indeed. It highlights how intertwined art and society truly are.