Catspaws off the Land by  Henry Moore

Catspaws off the Land 1885

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Dimensions: frame: 1250 x 1706 x 105 mm support: 915 x 1374 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: Here we have Henry Moore’s “Catspaws off the Land.” The canvas is filled with undulating blues, contrasting with the ochre sails and craggy coastline. What compositional elements strike you the most? Curator: I am immediately drawn to the chromatic tension between the cool blues of the water and sky and the warmer, earthier tones of the landmasses and sails. Note how the artist employs impasto to animate the water's surface, creating a palpable sense of movement. Editor: The texture in the water is definitely captivating! What about the way the boats are placed? Curator: Indeed, the strategic placement of the vessels in the middle ground creates a visual pathway, guiding the eye from the foreground towards the horizon. The composition evokes a sense of serenity through its balanced distribution of mass and color. Editor: I see that now. It’s amazing how much can be gleaned just from analyzing the pure visuals. Curator: Precisely.

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tate 15 days ago

http://www.tate.org.uk/art/artworks/moore-catspaws-off-the-land-n01604

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tate's Profile Picture
tate 15 days ago

Yachting was becoming very popular in the late nineteenth century and Moore had several friends with yachts, from which he used to paint the sea. The catspaws of the title are the gentle breezes which move the fishing boats along. The location is unidentified, but may be Devon or Cornwall. Gallery label, May 2007