Boothuis in Possenhofen by Henri Braakensiek

Boothuis in Possenhofen 1922

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drawing, ink

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drawing

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landscape

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ink

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geometric

Dimensions height 251 mm, width 346 mm

Curator: What strikes you first about this work? Editor: Well, honestly, it's the quiet. A real stillness emanates from this simple boat shed and the calm, rippling water. It's almost monochrome, the way the light sort of melts everything together. Curator: This is "Boothuis in Possenhofen," or "Boathouse in Possenhofen", an ink drawing by Henri Braakensiek, completed in 1922. And yes, it leans heavily into shades of gray, skillfully created just with ink. Editor: Braakensiek, hmm? There's something almost melancholic about this image, the bare structure against the sky. Boathouses usually mean summer, fun on the lake, right? But this...it feels like winter, like waiting. The geometry adds to the severity. Curator: The geometric shapes certainly emphasize a grounded stability, in contrast to the flowing water and somewhat amorphous background landscape. You can see Braakensiek applying principles and elements here; notice the basic triangular shape, repeated textures and forms. A visual harmony and peace emerge. Do you sense a symbolic representation of cultural continuity? Perhaps an old and durable boathouse that stands the test of time despite being immersed in dynamic, and changing environments like the water and weather? Editor: You're absolutely right about that sense of solidity. I’m getting that symbolic weight as well. Maybe it's the way the dark interior of the boathouse hides those boats, their journeys postponed, the history of water travel sort of trapped there in the shadows... Is there perhaps something in the cultural memory about a longing to go on holiday or sail away? Curator: The image holds that feeling of being 'between places', as well, with the boat stranded, the old shed seeming worn from use, all sitting upon dynamic waters that never stay still. The location too contributes to this – the lake would surely be used in Spring/Summer but sits here waiting for new sailors to return again. What would you say about it in closing? Editor: For me, it is an invitation to pause, a somber beauty reminding me to appreciate the enduring quality of simple structures amidst life’s constant flux.

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