Gate c. 1940

Sarkis Erganian made this drawing of a gate at an unknown date, using what looks like graphite and watercolor on paper. The gate itself is quite ornate, like something you might find guarding a fancy garden. The drawing mimics the way metal is shaped: the surface has a grainy, almost rough texture. There's a deliberateness to the strokes that shows Erganian really studied the form of this object. He wasn't just copying; he was understanding how light and shadow play on each curve and twist. Look closely, and you'll see how the color shifts from dark browns to lighter greys. This isn't just about representing the gate's color; it's about creating depth and volume. And that tree in the center? It's rendered with such care, each branch distinct, yet blending into the whole. It reminds me a bit of Charles Burchfield's architectural studies. There's this shared fascination with ordinary, everyday objects. Erganian invites us to really see what's in front of us, and find beauty in unexpected places.