A Short History: General John H. Morgan, from the Histories of Generals series (N114) issued by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco by W. Duke, Sons & Co.

A Short History: General John H. Morgan, from the Histories of Generals series (N114) issued by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco 1888

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drawing, coloured-pencil, print

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portrait

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drawing

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coloured-pencil

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print

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landscape

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figuration

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coloured pencil

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soldier

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men

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genre-painting

Dimensions: Sheet: 4 3/16 × 2 1/2 in. (10.7 × 6.4 cm)

Copyright: Public Domain

Curator: At first glance, this piece presents a peculiar juxtaposition of elements, wouldn’t you agree? There's this peculiar ornamental design that frames both the imposing figure above and the action scene below. Editor: It does feel quite fragmented, visually. We are looking at a promotional print from 1888 created by W. Duke, Sons & Co. It's titled "A Short History: General John H. Morgan," part of their "Histories of Generals" series used to advertise their Honest Long Cut Smoking and Chewing Tobacco. Curator: The print is executed in coloured pencil. Note the intricate layering of pastel hues used to build depth in Morgan’s portrait— observe in particular the blush of his cheeks. But it's more than just a portrait; it is almost like an icon set within a decorative panel. Editor: Exactly, and context is vital here. This wasn't intended as high art, but as a collectable insert within tobacco packaging. The image operates as propaganda, really – part of the Lost Cause narrative, romanticizing a Confederate general over two decades after the Civil War ended. Curator: So the composition with that miniaturized battle scene almost mythologizes this individual figure in a very specific—and limited—narrative. You’ll note the curious geometric divisions creating a distinct contrast to the central portraits. Editor: And the distribution method shaped its reception, too. Think about it: circulating images of Confederate leaders, normalizing them across a broad audience through everyday commerce. This speaks volumes about the cultural reconciliation – or lack thereof – in post-Civil War America. Curator: It truly does. Beyond the historical implications, I am captivated by the semiotic weight. The ribbon motifs lend a curious ornamental flourish which I find strangely unsettling. Editor: A stark reminder that objects like these weren’t neutral. They played a crucial role in shaping public memory and perpetuating a skewed version of history. Understanding its intention shifts the way we engage with it as a piece. Curator: Precisely. Examining it with that knowledge grants deeper appreciation. Editor: Agreed. The layers of meaning intertwined within such a seemingly innocuous object offer powerful lessons in visual culture and historical interpretation.

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