Man met kruiwagen c. 1856 - 1858

This silver sculpture, made by W. Freen, presents a man pushing a wheelbarrow on a diamond-patterned base. The polished silver catches the light, accentuating the clean lines and geometric shapes of the wheelbarrow and the figure's attire. This craftsmanship evokes a sense of precision and order. The sculpture's composition embodies semiotic elements where the wheelbarrow symbolizes labor, and the figure’s attire alludes to a specific social class or occupation. The use of silver, a precious metal, juxtaposes the commonness of manual labor with the opulence of the material, creating a visual paradox. This tension invites us to consider the relationship between labor and value, class and representation. The diamond pattern on the base introduces another layer of meaning, perhaps suggesting a structured or regulated environment. This artwork invites reflection on the symbolic meanings embedded within its form and the broader cultural narratives it engages.