A Young Woman in a Snow Storm Carrying a Heavily Snow-Laden Umbrella by Utagawa Toyohiro

A Young Woman in a Snow Storm Carrying a Heavily Snow-Laden Umbrella 1792 - 1812

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print, woodblock-print

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portrait

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print

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asian-art

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landscape

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ukiyo-e

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figuration

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intimism

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woodblock-print

Dimensions 12 3/8 x 8 3/8 in. (31.4 x 21.3 cm)

Editor: This is "A Young Woman in a Snow Storm Carrying a Heavily Snow-Laden Umbrella" by Utagawa Toyohiro, sometime between 1792 and 1812. It’s a woodblock print. The colors are muted, and the woman seems almost stoic as she faces the weather. What strikes you about it? Curator: What I see here is a powerful statement about the resilience of women in Edo-period Japan. While on the surface, it’s a beautiful ukiyo-e print of a woman braving a snowstorm, it speaks volumes about the roles and expectations placed on women in that society. What do you notice about her stance and expression? Editor: She seems very composed, despite what looks like a pretty intense storm. Her gaze is downward, almost demure. Curator: Exactly. This is where we can delve into the intersection of gender and social expectation. Her downcast eyes and the act of shielding herself, not just from the snow but perhaps also from the gaze of others, could be interpreted as a visual representation of constrained agency. The vibrant patterns of her kimono, juxtaposed with the bleak winter landscape, also suggests a complex negotiation between individuality and conformity. How do you read that tension? Editor: That's a fascinating point. It’s like she’s carrying both a physical and a social weight. I hadn't considered the kimono as a symbol of individuality. Curator: And what about the context of ukiyo-e itself? These prints were often consumed by the merchant class, offering glimpses into different aspects of life. Considering this, could this image also be seen as a reflection, or even a romanticization, of the working woman's daily struggles? Editor: I think I’m starting to see it. It’s not just a pretty picture, it’s loaded with layers of meaning about the woman’s place in society, her agency, and even the artist's commentary. Curator: Precisely. Art like this is a window into understanding the complexities of the past and how those complexities continue to inform our present. It also tells the story about gender roles, status, and identity and the lives of the women that are usually unheard of. Editor: I never would have thought to look at it that way. I'm walking away with a completely different appreciation of the artwork now.

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