George Gordon (1592-1649), tweede markies van Huntley 1630 - 1672

Samuel Cooper made this portrait miniature of George Gordon, the second Marquis of Huntley, using watercolor on vellum, a surface prepared from animal skin. Creating such a likeness in the 17th century was painstaking work. The artist would have needed a steady hand and keen eye to capture the Marquis’s features with such detail at this scale. Notice the texture of his hair, and the way light reflects off the gold trim of his garments. Each delicate stroke of paint contributes to the overall effect of refined elegance. But beyond the surface, consider also the social context of this piece. Portrait miniatures were luxury items, affordable only to the wealthy elite like George Gordon. They served as symbols of status, power, and connection. Appreciating the craftsmanship involved, reminds us of the intricate relationship between art, labor, and social class.