Plate (one of a set of twelve) by Richard Bayley

Plate (one of a set of twelve) 1715 - 1716

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silver, metal, sculpture

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silver

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baroque

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metal

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sculpture

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decorative-art

Dimensions Overall (confirmed): 7/8 x 9 9/16 in., 18 oz. 12 dwt. (2.2 x 24.3 cm, 579.5g)

Curator: Here we have a silver plate dating back to 1715 or 1716, one of twelve that form a set. Editor: My initial impression is its stark simplicity. Almost meditative. The pure, reflective surface feels like a void, or perhaps a mirror reflecting back the values of its time. Curator: Exactly. The plate, crafted during the late Baroque period, embodies both opulence and order, two powerful visual motifs in Europe’s cultural memory. A silver plate like this would have appeared on a wealthy family’s table. Notice the restrained ornamentation, however; it hints at evolving tastes away from excessive display and toward more refined, neoclassical sensibilities. Editor: And what narratives would such a plate hold? I mean, what's served on a surface that shines so brightly? Luxury, of course. The best of everything for some, paid for at a price. I wonder about the hands that didn't eat from it, the hands that toiled to make that possible. The silver reflects not only light, but privilege. Curator: The cultural weight carried by objects transcends mere consumption. Consider silver as a conductor – not just of heat but of history. These plates were passed down through generations, acquiring layers of emotional resonance and cultural prestige. They represent a continuation, an attempt at permanence. Editor: But what remains permanent? A shine achieved at what cost? When I look at such objects, I immediately ask, who benefits? Who is excluded? Who crafts beauty, and who only gazes upon it? And is it beautiful for all? That stark simplicity might even conceal more complex societal imbalances. Curator: A fair point. The very emptiness of the plate allows it to absorb myriad projections: desire, inequality, heritage. A seemingly simple form becomes a canvas upon which cultural memory and social critique play out. Editor: It’s strange isn’t it? How an everyday item like a plate becomes so layered, so fraught with symbolic and social implications? Curator: The power of the icon resides precisely in its everyday accessibility and symbolic depth. Editor: Well, I will not look at dishes in the same manner. Curator: Perhaps we've managed to add another layer, then.

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