Fragment of a terracotta volute-krater (bowl for mixing wine and water) by Anonymous

Fragment of a terracotta volute-krater (bowl for mixing wine and water) 375 BC

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drawing, ceramic

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drawing

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narrative-art

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greek-and-roman-art

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landscape

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ceramic

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vase

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figuration

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roman-art

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ancient-mediterranean

Dimensions: Overall: 4 7/16 x 5 9/16in. (11.2 x 14.1cm)

Copyright: Public Domain

Curator: This fragment is part of a terracotta volute-krater, a bowl for mixing wine and water, dating back to ancient Greece, around 375 BC. It's currently held at the Metropolitan Museum of Art. Editor: There's a striking, almost spectral quality to it. The orange-red figure against that stark black ground... It's fragmented, of course, but even in this incomplete state, the tension between the colors creates a powerful visual statement. Curator: Indeed. The black-figure technique is well exemplified here; observe the precision of line and form despite its partial state. It is also worth observing that the style is landscape-oriented. The curve and detailing exhibit high craft. Editor: My eye is drawn to the winged horse—Pegasus, perhaps? It immediately calls to mind ideas of myth, divine power, and transcendence. What story might this fragment have once told? Curator: Most probably one from popular legend, as this vase is heavily decorated in a narrative style. You see, iconography like this was integral. Pegasus carries associations of wisdom and fame through mythology. Editor: I'm also wondering about the physical breakages. It prompts a contemplation on time and loss, even fate. Each crack narrates its own story of the vessel’s decay. Curator: From a purely structural viewpoint, the missing pieces underscore the surviving artistry even more poignantly, by making a point of their lack. Editor: Thinking about its cultural significance, these vessels were central to social gatherings and rituals, aren’t they? To think of the scenes this krater once witnessed. Curator: Exactly. It's through pieces such as this that the continuities within human memory are unveiled through these enduring symbols, it lets the viewer project narratives based on recognized symbology. Editor: A profound piece—the past speaking in broken but vivid images. Curator: Yes, where line, symbol, and form coalesce, whispering narratives across centuries.

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