Portret van librettist Pietro Metastasio by Giovanni Antonio Sasso

Portret van librettist Pietro Metastasio 1802 - 1871

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drawing, print, engraving

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portrait

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pencil drawn

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drawing

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neoclassicism

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print

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pencil sketch

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pencil drawing

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portrait drawing

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engraving

Dimensions: height 359 mm, width 265 mm

Copyright: Rijks Museum: Open Domain

Editor: This is a portrait of Pietro Metastasio, a drawing, sometime between 1802 and 1871 by Giovanni Antonio Sasso. It’s interesting because even though it's a print, it still has this very delicate, intimate quality, like a pencil sketch. How do you read this work, with its connection to both printmaking and the personal feel of a drawing? Curator: Well, that tension you’re sensing speaks volumes about the societal position of artists and intellectuals in that era. Metastasio, as a librettist, operated within structures of power, yet artists like Sasso were also finding ways to create and circulate images more broadly through print. Look at the formality of the subject juxtaposed with the soft medium of pencil or chalk. Does this pose questions for you about the rise of a professional class in a changing political and social landscape? Editor: Absolutely! It makes me wonder about the audience for this portrait. Was it meant for public consumption, contributing to Metastasio’s fame, or was it intended for a more private circle? And does the choice of medium reinforce that intimacy, regardless of how widely it was distributed? Curator: Exactly! Think about what portraiture represented then. Who had the power to be depicted? What did that representation communicate? The Neoclassical style references antiquity and reinforces ideals of reason and order – consider what such stylistic choices convey. Was Sasso subtly critiquing or supporting these established figures? How does the identity of both the sitter and the artist help us understand power structures of that time? Editor: So, it’s not just about likeness, but about how power and identity are negotiated through the act of portraying someone? I see so much more in this work now than I did at first glance! Curator: Precisely! We have peeled back a small bit of the layers connecting art and historical and social context. And how fascinating to recognize art not simply for what it shows, but for how it connects to evolving cultural values and challenges dominant ideologies!

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