Madame Pauline Marie Charlotte Carolus Duran by Carolus-Duran

Madame Pauline Marie Charlotte Carolus Duran 1885

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painting, oil-paint

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portrait

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painting

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impressionism

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oil-paint

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oil painting

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realism

Copyright: Public domain

Curator: Take a look at this portrait by Carolus-Duran. It's entitled "Madame Pauline Marie Charlotte Carolus-Duran," dating to 1885. The artwork is an oil on canvas painting and it is a classic portrait style. What are your initial impressions? Editor: Dark, but warm. She feels present, somehow. It’s not just the direct gaze, but the way the colors bloom even within the somber palette, particularly in the book and her skin. And the dress, it's like a spill of velvet shadows. I wonder what she’s reading? Curator: The fact that it's a portrait of his wife, Madame Pauline Marie Charlotte Carolus-Duran, shifts our reading considerably. As a celebrated portrait painter in Parisian high society, this is far more intimate and, one could argue, less constrained by commission. It can be interpreted as his visual statement and a reflection of his values concerning gender, love, and intimacy, deviating perhaps from how women of this class were often depicted in art. Editor: Right, that makes so much sense. Because, honestly, she’s holding that book, and I’m projecting, but she looks like she *gets* to read, and think. I mean, beyond being just a society figure displayed with finery, you know? Does her attire play a part in how we view the piece? Curator: Absolutely, consider how the stark black dress juxtaposes with the backdrop, making a commentary on women’s societal roles and identity construction. Her simple choice, diverging from expectations of wealthy women at that time, perhaps mirrors Carolus-Duran's respect for her individual character, or even pushes at contemporary ideals of the representation of women. This contributes to a subtle feminist reading, suggesting female self-possession. Editor: It’s like the quiet rebellion of intellect and autonomy rendered in brushstrokes. It certainly feels like the dress frames her essence more than the other way around. It’s not ostentatious, more of a frame for *her.* Thanks. Curator: The convergence of these themes—gender, power, and artistry—makes this piece perpetually fascinating, doesn't it? Carolus-Duran painted far more than just a likeness here. Editor: Yeah. A good reminder that even within constraints, the artist can paint what they value beyond convention, which is truly lovely in this portrait.

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