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Curator: I find the stark contrasts quite striking, this piece, attributed to Hans Holbein the Younger, is entitled "Procession of Cupids." Editor: There's a tension in the line work, almost agitated, pushing the cupids forward into the composition. What do you think of the technique? Curator: Well, the process of woodcutting itself, the physical act of carving away material, mirrors the societal pressures of the time. Consider also, the image as commodity, multiplied and disseminated. Editor: But look at how Holbein uses the lines to create a sense of depth and movement, almost sculptural in its impact! How would this reflect Holbein's artistic practice? Curator: I see it reflecting more the economics of artistic production, transforming artistic labor into something reproducible and accessible to broader audiences. Editor: Regardless, the image is undeniably powerful, provoking thoughts on both its form and context. Curator: Yes, a reminder that the aesthetic object cannot be divorced from its means of creation and circulation.
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