Resurrection (Easter) c. 17th century

Curator: Jacques Callot, born in Nancy, France, in 1592, presents us with "Resurrection (Easter)," a work held at the Harvard Art Museums. Editor: It's so tiny! But intensely dramatic—like a miniature stage set. The resurrection radiating out, soldiers flopping around... Curator: Indeed. Callot masterfully uses etching to convey not only religious narrative, but also to critique power. The fallen soldiers symbolize the vanquished earthly authority. Editor: The level of detail for something so small is incredible. It reminds me a bit of illuminated manuscripts, where every inch tells a story, even in the margins. Curator: Callot's print resonates with broader themes of liberation and resistance against oppressive forces. It’s not just about religious dogma; it speaks to socio-political upheaval. Editor: Absolutely, art transforms through these tiny windows and opens up worlds. It really gets you thinking, doesn't it?