Inrō with Goose Flying across the Full Moon by Hara Yōyūsai

Inrō with Goose Flying across the Full Moon 19th century

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sculpture

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asian-art

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japan

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sculptural image

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possibly oil pastel

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stoneware

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spray can art

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underpainting

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pastel chalk drawing

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watercolour bleed

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mixed media

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watercolor

Dimensions: Overall (inro): H. 3 11/16 in. (9.4 cm); W. 1 7/8 in. (4.8 cm); D. 1 1/16 in. (2.7 cm)

Copyright: Public Domain

Curator: Welcome. Here in gallery 23 we are looking at an inrō dating back to 19th century Japan. Its creator is believed to be Hara Yōyūsai. The piece is titled "Inrō with Goose Flying across the Full Moon" and resides here at the Met. What's grabbing you about this work? Editor: Well, it definitely evokes a feeling of solitude. That lone goose against the stark full moon is a powerful image. The dark plumage of the goose against the muted background creates an almost melancholic mood. Curator: Absolutely. And the inrō itself tells a story. These small, tiered cases were popular accessories among samurai and merchants during the Edo period. The design here isn't just decorative; it speaks to cultural values and status. These functional, yet aesthetically rich, objects represent a complex societal hierarchy. Editor: I wonder about that singular goose—perhaps it's symbolic? Geese, often seen in flocks, represent community, family. Here, its aloneness against a full moon speaks to other possible themes—exile, or even, resistance. Considering the social confines placed on artists, it's worth wondering about the artist's intention. Curator: An astute observation, really. Consider also how the imagery of the goose and the moon are very traditional symbols within Japanese art and literature, connected to specific poetic and philosophical traditions. This would have certainly resonated deeply with its contemporary audience. The piece's dark and almost solemn character can easily evoke associations with mortality or temporality, core tenets within the Zen and Buddhist traditions of Japan. Editor: What's particularly interesting is how the functionality intertwines with these profound symbolic narratives. Was it common to adorn these everyday objects with these grand philosophical concepts? I would venture the answer is yes! Curator: Indeed, and the level of detail, of sophistication, imbued upon an object meant for everyday life reveals much about the social value placed on art at the time. As you noted, this piece, through the symbolic solitude, can incite a variety of interpretations contingent on our perspectives and individual contexts. Editor: Yes, the symbolism prompts considerations that go far beyond merely admiring its elegance, as interesting as it is to unpack its purpose as a utilitarian item. Ultimately, its aesthetic power evokes reflection and discussion. Curator: Thanks for adding that perspective. Together, let’s move to the next exhibit, and consider what that sparks for us.

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