Series of Cartouches, in: Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 45) by Cornelis Bos

Series of Cartouches, in: Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 45) 1540 - 1560

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drawing, print, ink

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drawing

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ink paper printed

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print

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bird

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11_renaissance

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ink

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fruit

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coloured pencil

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italian-renaissance

Dimensions Sheet: 7 7/8 × 10 5/16 in. (20 × 26.2 cm) Plate: 5 1/8 × 11 13/16 in. (13 × 30 cm) Overall: 8 1/4 × 10 5/8 in. (21 × 27 cm)

Curator: Ah, the whimsy! There's something so utterly charming about Cornelis Bos’s print from the mid-16th century. It's plate 45 from his "Cartouches and other ornaments of various and capricious invention." The flowing lines are a delicate dance in ink, wouldn’t you say? Editor: Indeed, a delightful caprice. The balance and symmetry suggest a formal exercise, and yet these fruit baskets sprouting bizarre masks… There's a shadow cast by that perched bird; a strange premonition nested in what otherwise is pure decoration. Curator: Premonition perhaps? I see it as playful abundance! The cartouches themselves, overflowing with fruit, promise life and plenty. The masks are mere theatrics, a visual pun perhaps? Bos, ever the clever designer. Editor: True, the Italian Renaissance was awash with visual puns and clever illusions! But consider that bird. Ravens and crows often represent ill omen and transformation. Placed so deliberately above the cornucopia, isn't it an invitation to reflect upon life’s ephemeral nature, even amidst opulence? Curator: Well, perhaps! Or perhaps that very bird is just eyeing up the best pear! Remember, these designs were intended as inspiration for artisans. Furniture makers, plasterers, jewelers. To instill a touch of fantastical flair into the everyday. No doom and gloom there. Editor: Everyday elevated through symbolic richness. The fruit overflows, evoking fertility, nourishment, while grotesque masks—so characteristic of Renaissance art—hint at darker psychological depths beneath surface appearances. The whole offers the viewer a complex sensory experience. Curator: That tension keeps our eyes engaged after all, doesn’t it? It’s beautiful – so delicate, full of grace, that makes the artwork captivating to look at centuries later. A small but compelling distillation of Renaissance ideas. Editor: Exactly. The print whispers to us across centuries. It prompts contemplation of enduring themes—mortality, abundance, beauty and beast lurking within our collective visual consciousness.

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