Reproductie van een schilderij van een gevallen meisje met vechtende honden door Charles Verlat by Joseph Maes

Reproductie van een schilderij van een gevallen meisje met vechtende honden door Charles Verlat before 1879

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Dimensions: height 169 mm, width 215 mm

Copyright: Rijks Museum: Open Domain

This is a reproduction of a painting by Charles Verlat, captured here in a print from a book, made by Joseph Maes, who was born in 1838 and died in 1908. In Verlat's original painting, a fallen girl is depicted amidst a fierce struggle with dogs, a scene that could speak volumes about the social anxieties of its time. Painted in Belgium, this image likely reflects the late 19th-century concerns around social order, morality, and the vulnerability of certain groups, particularly women and children. The depiction of violence and struggle might serve as a critique of societal neglect or the harsh realities faced by those on the margins. The art institutions of the period, such as salons and academies, were often battlegrounds for such debates, with artists either reinforcing or challenging prevailing norms through their work. To truly understand this image, we might explore contemporary sources—newspapers, social commentary, and the records of charitable organizations—to reveal the specific social issues that animated Verlat’s work. The meaning of art is always contingent on the historical context in which it was created and received.

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