Gedicht over de Slag bij Waterloo 1789 - 1853

This handwritten poem about the Battle of Waterloo was produced in the Netherlands in 1824. Its focus on the artist Pieneman and his studio offers a glimpse into the world of early 19th-century art production. The poem seems to address the economics of art, referring to financiers and capital. It also touches on the artist's atelier as a space of both creativity and commerce. The reference to the Battle of Waterloo connects the artwork to a significant historical event, suggesting the poem may reflect on the role of art in commemorating or interpreting national history. To understand this poem better, we might research the Dutch art world of the 1820s and the figure of Pieneman. We could explore the relationship between artists, patrons, and the market for history painting at this time. Only then, can we come to appreciate the social and institutional conditions that shaped its creation.