The Tribute Money 18th-19th century

Editor: Here we have Lambert Antoine Claessens' "The Tribute Money," a print held at the Harvard Art Museums. It has a very somber, almost theatrical quality. What's your perspective on this work? Curator: Notice how the printmaking process itself – the labor involved in its creation – democratizes this biblical scene. It transforms a potentially elite image into something accessible, almost a commodity circulated within a broader social context. Think about the exchange of money depicted, and how it mirrors the exchange value of the print itself. Editor: That's a great point, a shift in the meaning because of its materiality. It certainly makes me think differently about the artwork. Thanks! Curator: Indeed, understanding the production and distribution allows us to see beyond the religious narrative.