Catherine Mignard 1735

Curator: This is Jean Daulle's engraving of Catherine Mignard, housed right here at the Harvard Art Museums. It’s a stunner, isn't it? Editor: It does have a certain…dramatic flair. The chiaroscuro emphasizes the sitter's almost theatrical presence. Curator: Absolutely. The way she’s posed with that portrait, it's like she’s stepping out of the frame and into our world. Do you think that the trumpet points to artistic recognition? Editor: The trumpet and the portrait of her relative Pierre Mignard seems more about declaring lineage and artistic pedigree. It functions as a signifier of status. Curator: I feel that, but there’s also an undercurrent of melancholy in her eyes, a hint of vulnerability despite the finery. It’s beautiful and thought provoking. Editor: Yes, the engraving technique allows for a remarkable textural richness and depth. The drapery is particularly well rendered, isn't it? Curator: It is remarkable. It makes you think about the layers of meaning Daulle was aiming for. Thanks for your thoughts on this artwork! Editor: Thank you. An interesting piece, prompting reflection on portraiture and social representation.