The Grand Canyon, Yellowstone c. 1875

This is Thomas Moran's, The Grand Canyon, Yellowstone. Painted during a time of westward expansion in America, this landscape is not just a depiction of natural beauty, but also a statement about ownership and identity. Moran's work romanticized the American West, encouraging notions of manifest destiny, and downplaying the presence and rights of Indigenous peoples. As we gaze at this sweeping vista, it’s crucial to acknowledge the complex history of displacement and cultural erasure that accompanied the creation of national parks like Yellowstone. Consider the emotional impact of the sublime grandeur presented here. On one hand, it evokes a sense of awe and connection to nature, and on the other, it reminds us of the problematic narratives that have shaped our understanding and relationship to the land. Can we reconcile our appreciation for the artistry with a critical awareness of its historical implications?