Simon c. 16th century

Curator: This is a print titled, "Simon," and its creator remains anonymous. Editor: The most immediate thing I notice is the very prominent saw. What a tool! And his bare feet. Curator: Right, the saw. According to some accounts, Simon was martyred by being sawn in half. His association with this tool is central to his identity. Editor: Absolutely, but beyond the obvious symbolism, look at the execution, the labor involved in the engraving process. That fine line work to create texture and volume. Curator: The halo suggests sanctity, and he's holding his robe almost as if presenting himself. It's fascinating how artists have used martyrdom to explore the power of belief systems. Editor: It is interesting to consider how the artist might have produced multiples from this matrix. It's a rather economical way to reach a wide audience. Curator: Seeing Simon framed through the lens of history, the print acts as a touchstone, reflecting centuries of shifting beliefs about the value of faith. Editor: Thinking about the print matrix—it’s a testament to the durable nature of images.